Tutorials and a director glossary
Connect prompts, shot sizes, camera movement, lighting, composition, color, editing, and sound with practical AI production.
Explain why a shot works rather than just copying a prompt.Education and applied learning partnerships
For universities, vocational colleges, and educational organizations, we combine AI tools, audiovisual storytelling, teamwork, and work reviews in a progressive practical curriculum.
QIHUA CREATIVE ACADEMY
Our internal instructor academy brings together tutorials, a director glossary, templates, case analysis, workflows, and instructor tools. The aim is to move from using a tool to completing a production, with courses designed for schools, public training programs, enterprises, and individual learners.
Connect prompts, shot sizes, camera movement, lighting, composition, color, editing, and sound with practical AI production.
Explain why a shot works rather than just copying a prompt.Analyze goals, inputs, model choices, failure signals, and improvements. Templates explain use cases, prerequisites, and quality checks.
Transfer a successful method to a different brand, subject, or character.Image-to-video, Lightning exploration, professional series, Canvas asset maps, AI toolchains, commercial delivery, and quality review.
Give every production step a clear artifact and checkpoint.Standard 60-minute lessons, 90-minute workshops, demo scripts, readiness diagnostics, assignments, classroom checklists, and final reviews.
Help teachers run classes and training teams reuse the delivery method.Three levels of creative training
Suggested: 1–2 weeks · 12 class periods
Build an understanding of the path from an idea and prompt to assets and a short film, completing a small creative project from start to finish.
A 30–60-second film, three keyframes, and a creative statement.
Suggested: 1–2 months · 24–32 class periods
Move from individual assets to storytelling, practicing character references, shot design, continuity, and production review.
An approximately 90-second short drama, character cards, a storyboard, and a review report.
Designed around the project and institution’s timetable
Use a complete assignment to practice understanding a brief, dividing production tasks, checking quality, and presenting a delivery package.
A project delivery package, portfolio, and final presentation.
Class periods are teaching units, not clock hours. Schedule and content depend on learner experience, the institution’s timetable, and project scope. Employment, income, and unverified certification are not guaranteed.
Partnership formats
A suggested two- or three-day format built around a small project, introducing the production process and work review.
Modules can fit arrangements such as four to six weeks and 16–32 class periods, aligned with the institution’s teaching plan.
Use campus communication, local culture, or a brand topic to organize group work, staged submissions, and production reflection.
Jointly explore modules, instructor resources, platform use, and the practical learning environment within an agreed scope.
Teaching approach
Combine audiovisual principles and tool use within the same assignment, with explanation, demonstration, and practice.
Practice collaboration through defined roles, task planning, staged submissions, and peer review.
Analyze issues in assets, shots, and audiovisual expression, documenting revisions and lessons learned.
Evaluate the creative statement, script, storyboard, production record, and finished work together.
Resources for shared curriculum development
Platform usage, licensed materials and music, instructor support, and other resources are defined in the partnership plan.
ASSESSMENT THROUGH WORK
Our final-review framework introduces expectations at the start, then checks progress through assignments and completed work. We can adjust weights with schools to fit course objectives.
Is the subject, audience, and core message clear?
Are the images, characters, sound, and shot continuity stable?
Can the prompts, references, and process be explained and reused?
Are sources, likeness, voice permissions, and AI disclosures addressed?
Can the learner locate problems and propose an actionable next iteration?
SKILLS AND CAREER SUPPORT
Real content-production tasks create evidence of skills, helping learners build portfolios, explain their contributions, and prepare for roles. Institutions also receive a clearer basis for evaluating training outcomes.
Practice prompting, visual storytelling, image and video creation, media handling, and sound.
Work on tasks in creative planning, AI visual production, storyboarding, editing, and content operations.
Present briefs, character cards, storyboards, films, production notes, and reflections that identify individual contributions.
Discuss portfolio coaching, industry project practice, and talent introductions, with availability, conditions, and arrangements specified in the partnership plan.
Training supports job readiness. Recruitment, internships, project opportunities, and hiring depend on actual needs, eligibility, and assessment; courses do not guarantee employment, income, or a government-recognized credential.
SUPPORT FOR SCHOOLS, PUBLIC TRAINING, AND ENTERPRISES
Align learner experience, subject area, hours, class size, facilities, and final production requirements.
Plan demonstrations, verify source permissions, and prepare account access and production resources; arrange industry and school instructor participation as agreed.
Track learning through assignments, samples, process documents, and reflection, then adjust difficulty and practice.
Collect portfolios, teaching materials, assessment criteria, and case reviews for showcases and future course improvements.
IN DEVELOPMENT · COLLABORATE WITH US
We are developing AI products for further use cases. Beyond existing digital-human video production, our research includes interactive digital teachers, professor assistants, livestream presenters, and digital twins. We welcome schools, public institutions, and enterprises to shape use cases and pilot designs.
Researching interactive teaching, Q&A, and live presentation based on authorized likenesses, voices, and knowledge content.
Design pilots around knowledge content, interaction quality, and instructor review.
Discuss an R&D collaborationExploring understandable, interactive digital representations of physical spaces, objects, and related information for presentation, learning, and service applications.
Assess feasibility around the subject, available data, and intended use.
Discuss an R&D collaborationThese are research directions and proposed use cases, rather than released products, completed projects, or committed delivery dates. Capabilities and pilot scope will be established through a joint assessment.
We can begin by discussing L1 foundations. The course should reflect learners’ audiovisual knowledge, tool experience, and goals.
The curriculum centers on creative methods and production workflows, using suitable tools available at the time. Models, permissions, and usage are subject to the partnership plan and platform rules.
We can jointly design tasks around a discipline, campus communication, or local culture, with agreed references, review points, and final outputs.
Scripts, storyboards, character references, production records, creative statements, and final works can be assessed against jointly defined requirements.
Start a curriculum conversation
Your department, learner experience, group size, timetable, intended outputs, and existing teaching resources are useful starting points for a discussion.
Discuss an education partnership